The 2011 movie “Bridesmaids” was very funny, no doubt about that. The film, which starred a cadre of funny women led by Kristen Wiig and Maya Rudolph, centered on the escapades of the titular group as they helped their friend (played by Rudolph) on the way to getting hitched. The movie was well-liked by audiences, and that showed in the revenue. At the end of the year, “Bridesmaids” ranked #14 at the domestic box office with $169M+ in revenue, and #20 in the worldwide box office with $289M+ in revenue.
But it also had an effect on movies that we’re still feeling: “Bridesmaids” convinced studios that audiences (both women and men, shocker) would see a movie with an all-woman cast. Well…duh. And now studios have sat up and taken notice.
The waves from “Bridesmaids” have hit an interesting formula: to remake a beloved movie with an all-female cast. The rationale goes that if the men liked the original, then the women will love the remake! (And there’s the assumption that the men will be dragged to the movie from their ladies, but it’s OK because it’s a nostalgic property.)
One high-profile all-female remake has already come out: this year’s “Ghostbusters.” The reboot has Kristen Wiig, Melissa McCarthy, Kate McKinnon and Leslie Jones investigate paranormal happenings in New York. The movie has a strong “Saturday Night Live” heritage: In addition to Wiig, McKinnon and Jones logging time on the show, the movie also featured current cast member Cecily Strong in a notable part. “Ghostbusters” debuted at #2 on opening weekend, and as thus far grossed $124M+ domestically and $208M+ worldwide.
Another all-female project announced recently was a reboot of the 2001 heist movie “Ocean’s 11” (which itself is a remake of the 1960 movie of the same name). Sandra Bullock, Cate Blanchett, Rihanna, Mindy Kaling, Anne Hathaway, Helena Bonham Carter, and Nora Lum (better known by her rap name Awkwafina) will make up the ensemble. No release date yet, but I know I’ll be seeing it in the theatre because I vote with my dollars.
It’s great to see so many movies getting made with all-female ensembles, but I can’t wait to get to the point where it’s not noteworthy anymore, but unremarkable and accepted.