Trends: Emmys 2016 Diversity

Rami Malek, Emmys 2016 (Telegraph UK)

Rami Malek, Emmys 2016 (Telegraph UK)

The Emmy Awards aired this past Sunday night, honoring the best in TV. The twin themes  that popped out from the night were diversity and inclusion. And they played out in many ways.

Mr. Robot actor Rami Malek won Best Actor in a Drama Series, becoming the first Egyptian-American to do so. Malek also became the first non-white actor to win the award since 1998, when Andre Braugher won for Homicide: Life on the Street. On the actress side, Black-ish lead Tracee Ellis Ross was nominated for Best Actress in a Comedy Series. Though she didn’t win, Ellis was the first Black woman to be nominated for the award in 30 years; Phylicia Rashad was nominated in 1986 for The Cosby Show. Ellis was only the fifth Black woman ever to be nominated for Best Actress in a Comedy Series.

Inclusivity also prevailed behind the camera. Comedian Aziz Ansari and Alan Yang won Best Writing for a Comedy Series for Ansari’s Netflix series Master of None. (Ansari was also nominated for Best Actor in a Comedy Series.) Women directors were honored: Jill Soloway won Best Directing for a Comedy Series for Amazon’s Transparent, and Susanne Bier won Best Directing for a Limited Series, Movie or Dramatic Special for AMC’s The Night Manager.

Diverse narratives are gaining more traction. Transparent actor Jeffrey Tambor won Best Actor in a Comedy Series for the second consecutive year for his role as a transwoman.

It was good to see some progress made this year in terms of inclusion, but there’s still a long way to go.

 

 

#ThrowbackThursday: Violet Gordon-Woodhouse

Violet Gordon-Woodhouse (The Clarion Review)

Violet Gordon-Woodhouse (The Clarion Review)

Here’s someone you might not have learned about in history class: British musician Violet Gordon-Woodhouse was born on this day in 1872. She’s known for bringing the harpsichord back into popularity, and used it to make some records. Gordon-Woodhouse was the first person to make a harpsichord recording, and the first musician to broadcast a performance with the instrument.

But her story is also infused with sexuality. She married Gordon Woodhouse in 1895, taking both his names for her professional one, and finagled a marriage very beneficial to her needs: She insisted on time to pursue her career, and to open the marriage. At one point, Gordon-Woodhouse’s menagerie of men swelled to three others besides her main husband. (Sadly, I couldn’t find any photographic evidence of this ménage a cinq.)

I first read about Gordon-Woodhouse in Betsy Prioleau’s 2004 book, “Seductress: Women Who Ravished the World and Their Lost Art of Love.” (It’s a great book, if you’re interested in learning about women taking a no-holds-barred approach to their life and loves.) We should all aspire to lead our lives as open as Gordon-Woodhouse did.